Zombie Apocalypse 2026 Brings Massive Bass, Immersive Production, and Late Night Madness to the Queen Mary

Bassrush returned to the Queen Mary Waterfront on June 19 and 20 for Zombie Apocalypse 2026, transforming the Long Beach landmark into a bass music playground packed with heavy lineups, immersive experiences, roaming zombies, and after parties that kept the energy going until 5:00 AM.

The two day event featured four distinct stages spread throughout the waterfront grounds, giving fans a chance to explore everything from dubstep and riddim to drum and bass and experimental bass music. With headlining performances from Excision b2b Wooli on Friday and Subtronics on Saturday, Zombie Apocalypse once again delivered one of Southern California’s most anticipated bass music festivals.

What immediately stood out this year was the updated venue layout. The addition of the amphitheater stage area with permanent seating created a fresh viewing experience while maintaining the high energy atmosphere that Bassrush fans have come to expect. Whether attendees wanted to lock into a rail spot, sit back and take in the production, or bounce between stages all day, the venue offered plenty of options.

From the moment fans entered the grounds, the zombie theme was impossible to miss. Actors in full costume wandered throughout the festival, interacting with attendees and adding another layer to the event’s post apocalyptic atmosphere. Combined with themed décor, immersive activations, and stage production spread across the property, the festival felt like much more than a collection of DJ sets.

Venue & Stage Production

The Queen Mary Continues to Be One of California’s Most Unique Festival Venues

The Queen Mary has become one of the most recognizable locations in the Southern California festival scene, and Zombie Apocalypse made full use of the waterfront setting.

The festival grounds stretched across multiple sections of the property, allowing each stage to develop its own identity while remaining easily accessible. Fans could move from the main stage to smaller stages in just a few minutes without feeling disconnected from the overall experience.

The new amphitheater area proved to be one of the most noticeable upgrades. The seating offered a comfortable way to enjoy performances while still staying immersed in the production and sound design. It also created unique sightlines that gave attendees a different perspective compared to traditional festival stages.

Massive Sound and Visual Production

Production remained one of the festival’s strongest elements throughout the weekend.

The sound systems delivered the chest rattling low end that bass music fans crave, while lasers, lighting effects, and large video displays elevated the experience after sunset. As darkness fell over the Queen Mary Waterfront, the stages came alive with synchronized visuals that matched the intensity of the music.

Whether it was a headline performance at Apocalypse Arena or a late evening set at one of the secondary stages, the production quality remained consistently impressive throughout the festival grounds.

Top Highlights & Performances

Excision b2b Wooli Delivered a Powerful Friday Finale

Friday’s main stage schedule steadily built momentum throughout the day with performances from Discovery Project winners, Vicky B, Tsoki, Tynan, Dion Timmer, Kompany, Space Laces, Zomboy, Sullivan King, and Skull Machine before culminating with Excision b2b Wooli.

The back to back performance closed out Apocalypse Arena and served as one of the most anticipated sets of the weekend. Fans packed the viewing areas as two of bass music’s biggest names brought their signature styles together for a headline performance worthy of the festival’s opening night.

Subtronics Headlines Saturday

Saturday featured another stacked schedule led by Subtronics.

Before the evening finale, fans were treated to performances from Levity, Alleycvt, Ivy Lab, Know Good, YDG, Heyz, Papajay, Phrva, Pawsafy, and M?stic. The variety of sounds showcased throughout the day highlighted the depth of modern bass music and gave attendees plenty of opportunities to discover new artists alongside established favorites.

Subtronics closed the weekend with one of the most anticipated performances on the lineup, bringing the main stage portion of Zombie Apocalypse 2026 to a fitting conclusion.

Strong Programming Across Every Stage

One of the festival’s strengths was the depth of talent beyond the headliners.

At Zombieland Citadel, fans experienced sets from Borgore, Caspa b2b Peekaboo, Mersiv, Eazybaked, Richard Finger, Hershe, Don Jamal, Green Matter, Virtual Riot, Infekt, Samplifire, YVM3, Chibs, Whales, Vastive, and Bune.

The Quarantine Zone and Necropolis District also remained busy throughout both days, offering a constant stream of rising talent and underground bass music across multiple subgenres.

Rather than relying solely on a handful of major names, Zombie Apocalypse delivered a lineup that rewarded attendees who explored every corner of the festival.

Genre Diversity & Crowd Energy

A Celebration of Modern Bass Music

Zombie Apocalypse has always catered to bass music fans, but the lineup demonstrated just how broad that category has become.

Dubstep, riddim, drum and bass, trap, experimental bass, and hybrid electronic sounds were represented throughout the weekend. Artists like Ivy Lab brought a different flavor compared to the heavier riddim focused sets from performers such as Infekt and Samplifire, while acts like Mersiv and Peekaboo showcased the deeper side of bass music.

This diversity helped keep the experience fresh throughout both days.

Positive Energy Throughout the Grounds

One of the most memorable aspects of the weekend was the atmosphere created by the attendees themselves.

Festival goers embraced the theme, interacted with roaming zombies, explored the immersive experiences, and brought a sense of excitement that remained consistent from the afternoon opening sets through the late night programming.

Whether someone was attending for the headliners, discovering new artists, or simply enjoying a weekend at the Queen Mary with friends, the overall vibe remained welcoming and energetic.

Memorable Moments

The Party Continued Until Sunrise

For many attendees, the festival did not end when the main stages shut down.

Official after parties aboard the Queen Mary extended the experience until 5:00 AM each night.

The Grand, The Queen, and The Royal hosted additional performances featuring artists from the festival lineup, allowing fans to continue dancing long after the waterfront stages closed. Friday’s after party schedule included names such as Vicky B, Know Good, Kompany b2b Tynan, Caspa, Eazybaked, Don Jamal, Machete b2b Scobba, Skepsis, Circadian, Bladerunner, Decimate, Usaybflow, Calcium, and Green Matter.

The late night programming added another layer to the overall festival experience and helped make Zombie Apocalypse feel like a true destination event rather than simply a daytime festival.

The Immersive Zombie Experience

The roaming zombie actors helped tie the entire festival together.

Rather than limiting the theme to stage branding and artwork, Zombie Apocalypse incorporated interactive characters throughout the grounds. Attendees regularly encountered zombies while walking between stages, creating fun photo opportunities and reinforcing the festival’s unique identity.

These small details helped separate Zombie Apocalypse from many other electronic music festivals on the calendar.

Final Thoughts & What’s Next

Zombie Apocalypse 2026 successfully combined massive bass music performances, immersive festival design, impressive production, and a unique waterfront setting into a memorable weekend at the Queen Mary.

From Excision b2b Wooli and Subtronics to standout performances across Zombieland Citadel, Quarantine Zone, and Necropolis District, the lineup offered something for nearly every bass music fan. The addition of the amphitheater viewing area, roaming zombies, interactive experiences, and after parties running until 5:00 AM further elevated the event beyond a traditional festival experience.

For fans searching for one of the best bass music festivals in California, a unique Queen Mary EDM festival experience, or a weekend packed with dubstep, riddim, and drum and bass, Zombie Apocalypse once again proved why it has become a staple on the Southern California festival calendar.

For tickets, future announcements, and updates on next year’s event, visit https://www.apocalypsefest.com/ and keep an eye on what Bassrush has planned next. If the energy and production of 2026 are any indication, Zombie Apocalypse will continue raising the bar for bass music festivals at the Queen Mary.